Winner of the 2013 GRAMMY Award for Best Contemporary Classical Composition, Stephen Hartke is widely recognized as
one of the leading composers of his generation, whose work has been hailed for both its singularity of voice and the inclusive
breadth of its inspiration. Born in Orange, New Jersey, in 1952, Hartke grew up in Manhattan where he began his musical
career as a professional boy chorister, performing with such organizations as the New York Pro Musica, the New York
Philharmonic, the American Symphony Orchestra, and the Metropolitan Opera. Following studies at Yale, the University of
Pennsylvania, and the University of California at Santa Barbara, interrupted by stints as advertising manager for several major
music publishers, Hartke also taught in Brazil as Fulbright Professor at the Universidade de São Paulo. From 1987 to 2015, he
taught at the Thornton School of Music at the University of Southern California, retiring as Distinguished Professor Emeritus.
He now serves as Professor and Chair of Composition at Oberlin Conservatory.
Hartke's output is extremely varied, from the medieval-inspired piano quartet, The King of the Sun, and Wulfstan at the
Millennium, an abstract liturgy for ten instruments, the blues-inflected violin duo, Oh Them Rats Is Mean in My Kitchen, and the
surreal trio, The Horse with the Lavender Eye, to the Biblical satire, Sons of Noah, for soprano, four flutes, four guitars and four
bassoons, and his recent Symphony No. 4 for Organ, Orchestra, and Soprano, commissioned for the Los Angeles
Philharmonic. He has composed concerti for renowned clarinetist, Richard Stoltzman, and violinist, Michele Makarski, and
his collaboration with the internationally-celebrated Hilliard Ensemble has resulted in three substantial works, including his
Symphony No. 3, commissioned by Lorin Maazel and the New York Philharmonic. Other major commissions have come from
the Chamber Music Society of Lincoln Center, Carnegie Hall and the Harvard Musical Association, the IRIS Chamber
Orchestra, the Kansas City Symphony, the Library of Congress, the Los Angeles Chamber Orchestra, the National Symphony
Orchestra, the Orpheus Chamber Orchestra, the Barlow Endowment, Chamber Music America, the Fromm Foundation, the
Institute for American Music at the Eastman School of Music, Meet The Composer, the National Endowment for the Arts, and
the Natural History Museum of Los Angeles County, among others.
Stephen Hartke has also won the Rome Prize from the American Academy in Rome, two Koussevitzky Music Foundation
Commission Grants, a Guggenheim Fellowship, the Academy Award from the American Academy of Arts and Letters, the
Stoeger Award from the Chamber Music Society of Lincoln Center, the Charles Ives Living from the American Academy of
Arts and Letters, and the Deutsche Bank Berlin Prize from the American Academy in Berlin. In 2008, Hartke's opera, The
Greater Good, commissioned and premiered by Glimmerglass Opera, received the first Charles Ives Opera Prize from the
American Academy of Arts and Letters. In 2009, he was elected to membership in the American Academy of Arts and Letters.
Most of Hartke's music is available on commercial CDs released by Albany, BMOP, Bridge, Cedille, Chandos, CRI, Delos, ECM
New Series, EMI Classics, Genuin, Naxos American Classics, New World Records, and Soundbrush Records.